Bloods Nigga

Dj Mearts Diary of a instrumental an remix

Dj Mearts Diary of a instrumental an remix








Click here to download MY FREE INSTRUMENTAL ALBUM!!!

Click here to download MY FREE INSTRUMENTAL ALBUM!!!

This movie was inspired by a true story, it follows the life of a young man being released from prison after 8 years in the federal penitentiary. In the beginning of the movie "G" who is played by The Game, coming out of prison and wanted to live a straight life, in order to avoid being locked up again.

However, once he returns to his home in Compton, it doesn't take long before he slips back into his old lifestyle, then he begins to start hustling on the streets, and meets a new lady, who turns out to be Alexis who is played by Shari Headley. Both "G" and "Alexis" keep their life a secret away from each other, and they fall in love.

Later on, "G's" friend "Tone" played by Micheal K. Williams gets shot on his birthday by Officer "Coleman" played by Ed O'Ross. At "Tone's" Funeral "G" meets "Coleman" and "Coleman" talks about 150 Keys which "G" and "Tone" stole which belonged to Drug Lord "Tito Costa".

"Coleman" kidnaps "Alexis" and takes her to "Tito Costa", "G" get the call from "Coleman" and his Crew come to "Tito's" Garage and Shoot the Place. After All That "G" lost his crew, shot "Coleman" and "Tito" but came to know that "Alexis" Cheated on him and shoots her.

"G" walks out of there limping.

Some footage from the film is put to The Games song 'Red Bandana' which can be found on MySpace. This film also features the smash single "Believe In Me" by new R&B singer/songwriter phenom, Sherod Lindsey. Sherod Lindsey and Jesse Powell are the only R&B artist-featured songs in this classic Hip-Hop film.

GGGG-Unot

Jayceon Terrell Taylor (born November 29, 1979), better known by his stage name The Game, is an American rapper. He rose to fame in 2005 with the success of his debut album, The Documentary, and his two Grammy nominations. Since then, he is considered to be a driving force in bringing back the West Coast hip hop scene and competing with many of his East Coast counterparts.
Aside from releasing two albums that debuted at number one on the Billboard 200, The Game has gained notoriety for involvement in feuds with other rappers. His music falls under the gangsta rap subgenre, a style of hip hop popularized in his hometown of Compton, California.

Beef the game vs G-unit

Origins

When The Game signed onto Aftermath Entertainment in 2003, it was arranged that he would work with G-Unit and G-Unit Records in order to create a growing buzz for him that would also fuel an interest in G-Unit. The sudden feud between the pair, who had been marketed as having a mentor/protégé relationship, stemmed from alleged rumors that The Game had recorded with G-Unit nemesis Joe Budden on a track that was released in 2004. 50 Cent had also advised The Game not to appear on a Jim Jones video, which was to come out before the "How We Do" video, however, The Game did so anyway. The two were able to put their differences aside for the release of The Game's debut album, The Documentary which was released on January 18, 2005. The album was a big success for the rapper and had three singles that featured 50 Cent. The release date of 50 Cent's second album, The Massacre, was pushed back in order to accommodate The Game's album, causing anger by 50 Cent towards Interscope Records. Tensions would rise during the filming of the music video for The Game's third single, "Hate It or Love It", when 50 Cent refused to shoot a scene in the front seat of a car, instead sitting in the back (The Game's brother, Big Fase 100, would replace him). With 50 Cent's album also enjoying major success, the feud would then take an unexpected rise.

Feud begins

The Game had released images depicting the rap group in many parodies on some of his previous mixtapes, including Ghost Unit, which pictures them as parapsychologists, The Ghostbusters. In response, G-Unit published a mixtape cover of the rapper's head copied onto the body of an exotic dancer on the cover of G-Unit Radio Part 21,[1] causing The Game to release "The Funeral (100 Bars)", a track aimed towards the G-Unit camp. The Game launched a boycott of G-Unit called "G-Unot".[2]

In XXL magazine, 50 Cent doubted that The Game would succeed on his second album without his assistance, claiming The Game to be a good rapper, but not songwriter. 50 Cent stated that he wrote six of The Documentary's eighteen tracks ("Hate It or Love It," "How We Do," "Church for Thugs", "Special", "Higher", and "Westside Story"),[3] which The Game denied.[4]

Although both rappers were once signed to Aftermath Entertainment, the feud between them has led to The Game leaving the record label (although others claim 50 Cent pressured Dr. Dre to kick him off). In October 2006, The Game extended a peace treaty to 50 Cent,[5] which wasn't immediately responded to. A couple of days later, on Power 106, he would state that the treaty was offered for one day only.[6] The Game later released "SoundScan", a track targeting G-Unit members in response to Lloyd Banks’ freestyle on BET Rap City which was aimed at The Game. "SoundScan" was mainly aimed at the lower sales of Lloyd Banks' second effort, Rotten Apple in comparison to his first, The Hunger For More.

Failed reconciliation

At one point, it was reported that Busta Rhymes wanted to get 50 Cent and The Game together on the same track which was to be included on his new album, I'm Blessed. This way, he intended to end the feud between the two.[7] Busta Rhymes commented on the feud. He said:

I have always had problem with the beef. If you listen to "The Doctor's Advocate", which is the title track on his [The Game's] album, I didn't agree with his role at how he handled the situation. 50, even though I don't agree with everything he has done, he is still someone of an orchestrator of the situation from a general rank standpoint. If you are an apprentice, coming under someone, there is a general pride and ego. You gotta swallow a certain thing.[7]

However, the reconciliation will not happen any time soon because of Tony Yayo's alleged attack on James "Lil' Henchmen" Rosemond, who is the son of Jimmy "Henchmen" Rosemond. Tony Yayo was arrested on March 24, 2007 and was accused of smacking Lil' Henchmen for wearing the shirt of his father's record label, Czar Entertainment.[8] Czar Entertainment manages many artists, including The Game. Tony Yayo, 50 Cent, and their entourage allegedly approached Lil' Henchmen in a black SUV. Four men jumped out of the car. Tony Yayo then showed the boy that he had a gun, and he then proceeded to antagonize and slap the boy.[9] Tony Yayo has been charged for assault and he was later released with a $5,000 bail. He has pleaded not guilty. 50 Cent has strongly denied his involvement and has stated that he was in his home in Connecticut when the alleged incident occurred. He also stated that Tony Yayo did not hit Lil' Henchmen. 50 Cent thinks that the people who are trying to ban him are the same people who started the "G-Unot" campaign. He thinks they are trying to go after him by using the Lil' Henchmen incident as an excuse to ban him.[10] Tony Yayo has since been declared not guilty.

Feud continues

In February 2007, The Game and Young Buck got into a non-physical altercation at a club, during the NBA All-Star Weekend in Las Vegas. In an interview with SOHH.com Young Buck describes the situation:

It was a situation in Las Vegas and it was the first time we were in the same place. I addressed him from the stage and let him know, 'If it's a problem, let's handle it right now, if not let's get to the money,' He was coming, I don't know whether to get it on or get to the money, but he was coming and the security of the club, they got terrified and pushed him out. After that there was a lot of people in the middle of it like, 'Look, man, your man wanna speak.' And I chose to have a conversation with him cause 50 Cent will never speak with him. 50 really gave me permission to speak with him on behalf of him and everybody else. I let the conversation with him on a note of, 'You do you, without involving us and we do us without involving you at this moment.' Cause I see that a lot of these situations start to affect the politics of the music." [11]

Although it was believed that Young Buck and The Game made peace and put the incident behind them, Young Buck recently confirmed in an interview with SOHH.com that the 'beef' is still on.

Young Buck said

I just think he's digging his own hole 'cause he won't never get another fucking conversation from me in any kind of sense to have resolvement in anything. Now it's like you deal with the goons the way you deal with them, anything else, if the nigga keep poppin' shit like that, I'ma end his little career through the mixtape world. I ain't even gon' let 50 get dirty with this nigga, because I'm kinda upset at the fact that I heard the bullshit out of him and I don't know if he's aware that I recorded that conversation that we had over the phone. I ain't gon' play with that dude. When I go at him, I'm a go at him and I'ma Ja Rule this shit

It's okey(ONE BLOOD)

Dre, I see dead people

Blood, Blood, Blood, Blood-Blood-Blood [x3]
The
Yo, Dre
Thought I was Dead
West coast

One blood [x4]
Game
[Verse 1]
I'm the Doctor's Advocate, nigga dre shot ya
It Brought me back from the dead, that's why they call him the doctor
Ok The (after)'math don't drop them
That's why 50 ain't rockin' with him
No more, IT'S OKAY, I get it poppin'
Whole club rockin'
Like a '64 impala
Drink cris, throw it up
Call the shit hydraulics
Then piss in the cup
Call the shit hypnotic
I bleed Compton
Spit crack and shit chronic
And you new niggaz ain't shit
But new niggaz
Played to get shooed niggaz
I'm talkin' ta you, nigga
Bouncin' in da '64 throwin' up West side, man
Sellin' another 5 million albums, YES I AM
Alle Fresh like damn
This nigga did it again
A thousand on his neck, L.A. above the brim
The Inside the lambo' in the shotgun with Snoop
What would the motherfuckin' West coast be without one crip and {one Blood}
Game
[chorus]
One blood [x4]
Blood, Blood, Blood, Blood-Blood-Blood [x3]
It One blood [x4]

[Verse 2]
I'm from the West side of the '64 Impala
Ok Where niggaz say "Where you from" we'll never say "Holla"
Bandanna on the right side
Gun on the left side
Niggaz in New York, know how to throw up the West side
Word to Eazy
I'm so ill, believe me
I made room for Jeezy
But the rest of you niggaz better be glad you breathin'
All i need is one reason
I'm the king, and Dre said the West coast need me
I don't know why you niggaz keep tryin' me
Everybody knows I'm the add to the Aftermath dynasty
And I ain't gotta make shit for the club
What DJ gonna turn down the .38 snub?
Alle You 38 and you still rappin' uhh
I'm 26 nigga, so is the dubs
The On the '07 Hummer
Hop out with no bodyguards
When the chronic smoke clear all you see is {one Blood}
Game
[chorus]
One blood [x4]
Blood, Blood, Blood, Blood-Blood-Blood [x3]
It One blood [x4]

[Verse 3]
I ain't got no beef with 50, no beef with Jay
Ok What's beef when you gettin' head in the 6-tray?
And the double game chain, I keep 'em on display
Black T-shirt, so all you see is the A (aftermath)
Turn on the TV, and all you see is the A (aftermath)
Niggaz better make a dance and try to get radio play
Keep on +snappin' your fingers+, I ain't going away
I don't regret what I spit, cuz I know waht I say
And niggaz keep talkin' about me, they don't know when to stop
I got the Louis Vuitton buckle, holdin' tha glock
No beam, no silencer, I know when to pop
Alle Wait 'til Lil' Jon come on and left off a shot
The I have the number 1 billboard spot
Niggaz stepped on my fingers, and I climb right back to the top
Game I'm BIG, I'm Cube, I'm NaS, I'm 'Pac
It This ain't shit but a warnin' til my album drop
Ok
[chorus]
One blood [x4]
Blood, Blood, Blood, Blood-Blood-Blood [x3]
Songtexte One blood [x8]
Blood, Blood, Blood, Blood-Blood-Blood [x3]
One blood [x4]

BRAZIL WILMINGTON!!

Compton Nigga

;Nu Shit The Game MURDAH